august 2016 saw running back release a first volume of live tracks from redshape, but january 2017 sees the much loved artist return to delsin, his most regard label, for a second offering of the same. this time the ep has one track made in paris, and one in london, and both are filled with the sort of beautifully bleak and lo-fi sounds that have made this man such a standout artist over the years. up first is london, a chugging track that builds in pressurised layers of coarse hi hats, gurgling bass and pinging kick drums. it is a hypnotic groove that teases you as elements drop in and out and hisses of static and broken little guitar riffs add some cheeky funk. on the flip-side, paris is much more playful, with colourful pixelated melodies dancing about the mix, industrial drums working down low and steppy synths fleshing things out. overall it sounds like a future disco for inebriated robots and is one of redshape s more party starting tracks.

arthur forests name should be more widely known in the world of dance music, the man lent his expert to touch to more than one classic record emanating from detroit during his time and has quietly left an indelible fingerprint on house and techno history. here at mint condition and for our third release we are extremely proud to present one of art forest s (in our opinion) finest moments - the majestic, futuristic expectations ep. released in 1992, this 4 track ep has always been sought after by detroit lovers worldwide. often very difficult to track down and commanding high prices on the second hand market, this 12- is a real rarity. showcasing a style that stands out from a lot of records released around the same period -expectations- still sounds so killer today. listen to -flow with me- on the b-side, an insanely deep, melancholic piece of detroit house, steeped in motor city futurism (those synth pads!) and with an otherworldly vocal performance from dan carter it ticks all the boxes, absolutely sublime and worth the admission fee here alone. stunning. if you re up to your neck in the history of detroit dance music, or if you ve literally just stumbled upon this entire world of amazing music (welcome!) you ll want a piece of this. beautifully crafted deepness from a quiet master of the artform, what s not to dig? mc003 has been reissued with the permission and involvement of arthur forest and remastered by london s very own curvepusher. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

born out of a love for disco records and odd electronics, casino times is the project of producers joseph spencer and nicholas church - a musical partnership that is rooted in house and techno but often treads into the weird and wonderful. since first starting the project in 2010 spencer and church have steadily been crafting a back catalog that reflects their varied tastes and unique approach to electronic music. this has seen them release on a wealth of respected labels such as wolf music, futureboogie recordings & permanent vacation, just to name a few. the debut on omena, decoded ep , consists of four tracks highlighting a distinct development of their musical style. no need to dissect each and every track here to explain how it sounds, just play it and enjoy. everyone from your grandparents to your neighbour and best friend will ask for track ids.

while many us producers from the second house wave of the 90s are looked at like demigods, others have remained partly in the shadows, and considerably underrated given their achievements. anthony nicholson is one producer who belongs to the latter category, but one which we ve been supporting since day one of juno. the man came to prominence thanks to a fruitful relationship with ron trent, and also to a whole heap of quality releases for known imprints like peacefrog, prescription, and nite grooves. this week, however, he s up on his own highly underrated circular motion, spear-headed by the excellent -miquifaye studio rewerk-, a tribal house groove with a deep, wondrous backdrop of synth exploration. -beat pad apella- is a jazzier piece of music, an enticing house chiller with plenty of musical nuances that bounce off its full, intricate groove. excellent - don t overlook this one...

out with old, in with the bold… pets prepare us for a fresh new year start with an early-ears peak at what they have in store for 2017. it starts right here with a techno maestro who – thanks to a deep stash of thoroughbred beats on soma, hypercolour, echocord and kontra – shouldnt require much of an introduction: roberto clementi.

label owner kastil comes up with the fourth 12” in the stale series. after imaginative releases by irazu, deapmash together with a string of underground cassette releases it’s finally time for the man in charge to step back up with a very versatile and well balanced outing called “the sadistic abbess”.

analogue is back with the fearless endlec. the man from thessaloniki is one of the best greek techno exports and delivers 4 solid, aggresive tracks that make no compromises.

nights get ever colder. the label owned by paris stalwart d’julz welcomes back an old friend in anonym, the man responsible for bcr006 and bcr021 returns for a four-track outing which includes a remix from orlando voorn. sultry atmospherics and masterful production are evident throughout this crisp new addition to the bass culture catalogue, another instant classic from the detroit badboy anonym.the first of the four tracks on this ep goes by the name of ‘castaway’, and its effortless groove will have you drifting away to a desert island the second you hear it. as a slightly obscured vocal repeats ‘castaway’ over and over, you’re lulled into a dreamlike state. simple and highly effective, its progression is subtle and invigorating. right after that we have dutch supremo orlando voorn taking charge of the remix and pushing the track deeper into celestial territory with flashes of synth that transport you out into the cosmos. the atmosphere of the original is expertly retained, with a steady pace and cool, mellow vibes throughout. flip the record over and there are two more killer cuts. first we have ‘doin it to ya body’, which keeps things minimal and straight to the point. bright disco strings lie at the heart of this track, slowly weaving their way in and out of the background while the drums and rugged b-line keep your feet moving and head bopping. lastly, ‘wara coco’ offers more hypnotic vibes drawing you with its dainty melody, dancing around the top end, while a mean bassline throbs away, deep down in the low end. it’s an strong combination and finishes off the ep in style.

nach der pianogetriebenen, kaum verhallten, trockenen und schwammfreien platte „melancholie & gesellschaft“ (2008) hat der künstler nun darauf verzichtet, ein jazzalbum, ein ambient-schichtenmodell oder einen anderen extremen selbstversuch zu starten.
„das ende der beschwerde“ ist popmusik mit großem schallraum, teilweise mit tatsächlicher, live-im-studio aufgenommener band, teilweise mit imaginierter gruppe, der man im kopf selbst die köpfe aufsetzen kann. „das ende der beschwerde“ ist eine ende-platte wie „lieder vom ende des kapitalismus“ (2006), es ist eine lieder-platte, weil zwölf lieder drauf sind (so wie auf „vierzehn lieder“ (2001) vierzehn lieder drauf waren), aber vor allem ist es eine problemlöse-platte. pop tut dies, pop tut das, hat man oft genug gehört – aber was pop eben wirklich immer tut, wenn er gut ist: eine utopie aufwerfen. möglichkeiten formulieren, unsere geschichte weiterspinnen.

ritual chants is a stellar earthbound and outer space odyssey spanning 3 chapters, respectfully embellishing psychemagik s taste and passion for the wonderful, the sublime and very often unusual.

ein spannender blick auf das vermächtnis der rocklegende david bowie – von seinen anfängen bis zu seinen letzten aufnahmen: hier ist »legacy (the very best of david bowie)«.
limitiertes 180 gramm doppel-vinyl im klappcover

label bosses the deepshakerz present their new hot ep with a couple of tunes exctracted from their first (and just) released,album ever: sensations + a brand new one. 3 strong originals with different vibes,from deep house and melodic contaminations to some dirty and old school sounds...the whole alongside the remixes from 2 of our fav producers rigth now as the man of the moment: dennis cruz.....and one of best deep house artist of new generation: nils hoffmann

nice price deal !!! james blake heads up the debut release on 1-800-dinosaur with two tracks showcasing the new labels forward facing manifesto. 1-800-dinosaur is the brainchild of both dan foat, the man behind r&s records revival and blake who also run the 1-800-dinosaur club night together with airhead, klaus and mr assister at plastic people in london. the release leads with metallic house banger voyeur dub, tried and tested to devastating effect on the plastic people dance floor in 2012, leading to a shortened arrangement of the song finding its way onto blakes critically acclaimed sophomore album overgrown. on the flip and holy ghost is a beat-less sojourn into the future soundscapes of electronic music and a deft reminder of blakes ability at traversing genres with ease

nice price deal !!! chicagodamn arrived on the scene with an instant classic on mark es merc label. following this was the stunning debut on his own label, as well as acclaimed releases on the excellent wolf music & claremont65 offshoot sixtyfive. so here we have the eagerly awaited follow up, strobelit futuristic warehouse tackle once again, shot through with the enduring spirit of first-wave detroit techno and the pared down pulse of chicago. attjoh kicks things off with a beautifully realised lesson in dancefloor dynamism and mood, simplistically constructed for maximum impact in the right hands. on the flip joh is another heady concotion of intoxicating atmospherics and spikes of acid bubbling up through the sonic stew, with the mood drenched finalé time waits for no man wrapping up another classic ep.

der film der zweifachen oscar-preisträgerin barbara kopple begleitet die dynamische frontfrau bei ihrem kampf gegen den krebs im jahr 2013 und auf ihrer triumphalen rückkehr auf die bühne mit dem release von “give the people what they want”. der soundtrack besteht aus klassikern von sharon jones & the dap-kings: von frühen singles auf daptone bis zu songs vom album “give the people what they want” von 2014. der song “i’m still here” ist exklusiv auf dem album zu hören. so wie der film gewährt auch der soundtrack einen intimen und ehrlichen einblick in das leben einer frau, die sich weigert, auf ihre kämpfe reduziert zu werden. kurz: dieses album ist die perfekte ergänzung zu einem wirklich außergewöhnlichen film!

ausgewählte highlights der 2 cd compilation “swing with the best big bands” jetzt auch als vinyl erhältlich.

grill by gbubemi amas is as smooth as the red cardigan artfully slung around his shoulders on the cover. whether he is running through the scales on a cover version of ‘fire and rain’, or trying on his calypso highlife moves on ‘ereyon’, you know amas is a man with a smooth line for every occasion.

limited edition of 1000 copies on translucent, multi-color splattered vinyl.
experienced crate diggers are no doubt familiar with new birth, the 17-piece funk ensemble sampled on classic hip-hop records by wu-tang clan, de la soul, junior m.a.f.i.a., black sheep, lil wayne, ice cube, and many more. the genesis of new birth can be traced back to the nite-liters, a louisville-based instrumental outfit. founded in 1963 by motown songwriter/producer harvey fuqua and saxophonist tony churchill, the nite-liters released a handful of albums in the early 70s, scoring a few minor hits and perfecting the sound that would power new birth to further success as the decade progressed. while much of the the nite liters’ early material has been overlooked, their self-titled debut album is worth revisiting. originally released on rca records in 1970, the nite liters is a raw, soulful masterpiece that has been sampled by kmd, ghostface killah and others.

cubicolor present their debut album ‘brainsugar’ as a double vinyl edition.
having launched in 2014 with two members, dutch producers ariaan olieroock and peter kriek, cubicolor now welcome british vocalist and former duologue front-man tim digby-bell into the band as their third member, following much loved collaborations on ‘falling’ and ‘mirror play’ over the past 12 months. in his time with duologue, tim produced, co-wrote and sang on two records acclaimed by the likes of the guardian, nme, diy mag and the line of best fit.

nice price deal !!! room 9 is a new italian based label created by the talented dj & producer andrea appolloni and marco frisina from holler management. to launch their label the italian crew have choicen to introduce the world of taribo ep characterized by a techno-funky groove and a unique balance between rhythmic power and the bass & sax double-strength. turin is the background of taribo which is born by the collaboration between andrea appolloni and pisti (krakatoa/ motel connection) both of them coming from the northern italian city. the neapolitan producer man-d.a. (goldseries) takes care of taribos remix maintaining the originals deep moods of the track and adding an all-involving atmosphere

the mighty flames were a crack bunch of cameroonian musicians, drawn to nigeria by the heavy funk sounds booming across the border like musical moths. for a short time in the late sentries they ‘owned’ port harcourt, destroying dancefloors with an incendiary sound that burned so heavily that it was phosphorescent. metalik funk band is the band at their most deadly.

new years deal - top

three releases from dbridge & radioactive man aka dbrm on the nothing special label - all bundled up for one special price!

sidos goldenes album als limitiertes weißes 180 gramm doppel-vinyl im klappcover, downloadcode inklusive.

immobilarity is the second studio album and the follow-up to only built 4 cuban linx by wu-tang clan-member raekwon (a.k.a. the chef). the album, which was originally released in 1999, reached to number 2 in the us billboard top r&b/hip-hop albums and number 4 in the us billboard album charts and was certified gold by the riaa.
double 180 gram audiophile vinyl in gatefold sleeve.

180gr - ltd to 300 copies
early support by: aquarius heaven, chasing kurt, dairmount, deo & z-man, iron curtis, jacques renault, jad & the ladyboy, javier orduna, loz goddard, martin hayes, miguel puente, mirco violi, moony me, sello, spanks, thomas stieler and more

anthem alert ! swedish house royalty lands a hefty old jam down to warm us through winter classic house flavour here, but pulled off with his tried an tested ear for a hook and a tough beat to sail er by. it s the very definition of ear worm ! with celebrated releases spanning almost two decades on esteemed imprints like maw, sonar kollectiv & especial, you know mr e means business... our man in moscow, lay-far works up a sweat on his dub and remix versions, amping up the low end and applying some irresistible crunch to counter the smooth a side. limited copies folks, so don t snooze on this !

debütalbum der österreichischen band um den musiker thomas petritsch aka effi. pressung auf transparentem rotem vinyl.

the classic 1989 aerosmith album back on 180 gram heavyweight vinyl - incl janies got a gun !

jede seite von jeder 7inch aus syl johnsons entstehungsjahren auf dem federal label. aufgenommen zwischen 1959 und 1962, ist my gift eine beispielhafte sammlung von frühem r&b, der chicago blues mit feuriger seele verbindet. weltweit auf auf 1.000 exemplare limitiert.

for selfless machines, t.wiltshire has fashioned a collection of intricate cuts on an analogue setup, fusing warm layered atmospheres, meandering synth motifs and dusty drum patterns. nestled comfortably between the living room and the dance floor, selfless machines is an engaging and wily mechanical mistress, hellbent on your attentions. a selection of six original linocut prints will be available, each built around the idea of man’s interwoven relationship with machines. some will be inserts within the vinyl sampler, some will make their way onto the cover.

it has been a year since we last heard something from him, but in the meanwhile things have been sweltering beneath the surface. last we saw him, he vanished into a sculpture that bended the rules of our three dimensional reality. finally, here we are. being stuck inside a rusty hypercube trying to find your way out, crawling around the different tunnels all leading to new spaces that puzzle the mind. tangible, tactile shapes forming a comprehensive physical world without containing a discernible contour. flat pictures that once inspected transform into multidimensional spaces. the room fades into infinity, and all that’s left is an overdose of sensory stimulation. but dont worry. quince is here to help you find your way out. after an album on delsin, releases on music man, kompakts speicher series and his track europe on our somewhere compilation, quince is back after a short hiatus on something happening somewhere with a four track killer no filler ep that oozes character out of every sweaty pore. making the kind of records you still remember after an intense club night slowly comes to an end, quince presents a diverse pallet of sounds to choose from. rif provides perfect sturdy dance floor material with quince’s compelling groove trusting alongside splintered melodies and detroit influenced synth sounds producing a sense of undeniable optimism. b1s coitus shares a similar punch, combining raspy synth stabs with a detuned bell pad giving the feeling that youre sucked into a wormhole propelling you towards an unknown location.

editor extraordinaire, sneaker welcomes you to marvel at his midas touch. happy disco or chirpy funk edits these ain t. instead the rat life man unearths three dark obscurities and further blackens their already sinister sounds.

the first release on man powers me me me saw fact mag travel to mexico to get inside the head of the geordieman in mexico. next up for the label is a comeback record from last waltz, the trio with which man power first ever released, featuring three new, original tracks, and a remix from the first ever recorded collaboration of tel aviv’s red axes (im a cliche) & naduve (disco halal).

after countless releases on his own label alleanza it was finally time for the maltese artist to break new soil. as gregor tresher received these 3 demos and was immediately convinced about their high potential and standout class. so give it up for jewel kid s bns debut

dublin based disco imprint fatty fatty phonographics return with the 4th instalment of their downtownsounds classics series, this time throwing three stone-cold classics onto one 12, all given the re-edit treatment by in house producers pablo and shoey. voiced by leroy burgess, with drums by hip hop legend marley marl and production by the aleem brothers, release yourself was a huge across-the-board anthem in the clubs of nyc on its release in 1984. the lads have superglued elements of both the vocal and dub sides together for an epic end of night take on this beloved classic. the b side features two under appreciated classics from the pen of one billy nichols, a man known for his work with west end records (the levan mixed give your body up to the music ) and the funky band of brothers that was bt express. on take me... nichols hooked up with disco master patrick adams for an emotional, string drenched disco belter that has found favour with the likes of dimitri from paris, floating points and hunee. while dance if off is a wonky proto acid-disco trip beloved of rahaan and eric duncan of rub n tug. with copies going for over 300 euros, you can do your bank account and your dancefloor a favour here.

joy, ease, lightness is a 4 track ep aimed squarely at the dancefloor, but with a meditative awareness that reaches far beyond the club. fans of seven davis jr, steve spacek et al, watch out - there’s a new man in town: and he goes by the name of dan kye. yet another stellar release from the rhythm section international crew - undoubtedly the label to watch in 2016.

texas recordings underground made its mark this spring with the well-received techno/electro cyber tex ep that featured electro wizard cygnus and e.r.p. aka gerard hanson. not to rest on his laurels, tx connects gavin guthrie is following that up with the 2nd release on the label by austins man-of-the-moment bill converse. themes.

die zweite reise in die station road nach wigan bringt uns 16 weitere northern soul-perlen aus den playlisten der beiden djs russ winstanley und richard searling, als der legendäre wigan casino-club in den 1970’ern seine hochphase erlebte.

riot in lagos in its essence is a compilation of modern productions and reworks rich in magic from the motherland. following on from a recent resurgence of afro inspired disco thanks to labels like bbe, strut, tala a.m and awesome tapes from africa digging heavy, and reissuing some of the best content in many years from the world s second largest continent a wide and diverse range of.

new album of previously unreleased music recorded 1962 at auditorium maximum/ freie universität in berlin. austrian genius friedrich gulda on piano and baritone saxophone, leading a 13-piece, top-shelf lineup of players featuring benny bailey, erich kleinschuster, georg riedel, fatty george, arne domnérus and ack van rooyen. sparkling modern jazz in front of an excited audience, including parkers anthropology, monks round about midnight plus original material by gulda and riedel, with world premiere of “music for three soloists and band. it is the rhythmic drive, the risk, the absolute contrast to the pale, academic approach i had been taught. (f.gulda in new york times).

selten kann man beim erscheinen eines albums behaupten, dass der musikgeschichte ein fast komplett neues kapitel hinzugefügt wird. und doch so geschehen bei -music with a message: celestial explorations into german church rock-, welche hochoffiziell und zum ersten mal dokumentiert, wie im zuge der christenbewegungen der späten 60er und frühen 70er jahre rock, soul und funk auch in christlicher musik in deutschland einzug fanden.
die vinyl-lp erscheint inklusive downloadcode.

the original soundtrack from the acclaimed documentary 808, chronicling the revolution sparked by the iconic drum machine. double 12 inch vinyl in gatefold sleeve with download code included.

pressing on heavy-weight 180g vinyl.
with all the cosmic energy and masterful musicianship youd expect from the three-man orchestra, azymuth rise from the ashes!

die neue lp-auflage des unvergessenen soundtracks erscheint vor dem für 2017 geplanten start der “twin peaks” fortsetzung im neuen deluxe-format. das 180g vinyl erscheint in remastered qualität in kaffeebrauner farbe und befindet sich in einem gatefold-sleeve, das wiederum von einem weiss lackierten, formschön ausgestanzten aussenschuber umgeben und mit einem obi strip komplettiert wird. das neue artwork wurde sowohl von regisseur david lynch, als auch vom komponisten angelo badalamenti freigegeben, letzterer steuert sogar neue sleeve notes bei.

2016 ist es so weit: mit »the real royal albert hall 1966 concert« gibt es endlich den echten mitschnitt des legendären konzertes auf doppel-lp.
ursprünglich war nämlich schon 1998 ein album mit diesem titel als bootleg-variante erschienen. dabei handelt es sich jedoch fälschlicherweise um die aufnahme einer show aus manchester, statt aus der royal albert hall.

rawax proudly welcomes roman lindau to the family! we are happy to present you soon 2 eps from the man who already released his music on outstanding labels like fachwerk & ostgut ton.

bosconi extra virgin has prepared for you two super tasty various artists featuring 11 tracks by 11 new, fresh and promising producers mostly from all around the italian peninsula but not only! -the sweetest- volume 1 begins with the outstanding jazzy midtempo song of austrian producer m.a.r.s -feel the heat- and the deep space, italo soundtrack infected boogie directly from napoli of bop & 291out s -uomo dalle nuvole- , known for their releases on acido records and really swing.b side features instead the chugging raw deep house track (($)) from misterious producer from tuscany def safari and more funky, garagey, soulful vibes and broken beats by the mechanical man from napoli and young artist jts1 from milano.

blumoog music is again among you with two really great producers on the electronic scene. the second chapter is produced in collaboration with one of the pioneers of new york s electronic/techno music, famous for his historical label proper nyc. steve stoll wanted to collaborate on this project with m.r.e.u.x. even him a famous electronic music s producer, together they blend in this e.p the origin and the evolution of the techno music, created with heart, passion and analog instruments like it was in the 90 years. the lp includes acoustics and settings what are unparalleled in their style, perfect for the blumoog review, an e.p that really can t miss in your vinyl library, especially be carefull to the fragile heart person. the two new york man s tracks are charming and penetrating at once, with the only style of steve stoll, who gives ourselves techno emotions of high level from 20 years ago. the other three tracks are proposed by m.r.e.u.x. they contains psychedelic and power with a big style. all is accompanied from his known detailed musical elegance. he has also created an intro bonus track with analog machines that s electrifying. welcome in the blumoog s future. another nice shot for blumoog music, good listening and always remember: the electronic music will never end!